From Kerala to Global Fame: Hanumankind’s Story

The Rise of Hanumankind – A Detailed Exploration

Hanumankind, born Sooraj Cherukat on October 17, 1992, in Malappuram, Kerala, India, has emerged as a significant figure in the global hip-hop scene, blending Indian and American musical influences with a touch of possible Middle Eastern flair. His journey from a diverse childhood to a viral sensation with “Big Dawgs” in 2024 offers a compelling narrative of cultural fusion and artistic growth. This blog delves into his early days, career trajectory, musical style, and the reasons behind his widespread appeal, providing a comprehensive overview for music enthusiasts and casual listeners alike.

Early Life and Influences

Hanumankind’s formative years were marked by mobility, as his father’s job with an oil company led the family to live in Egypt, Nigeria, France, and the UAE before settling in Houston, Texas, when he was in fourth grade. This global exposure likely introduced him to a rich tapestry of musical traditions, from Middle Eastern rhythms to American hip-hop. In Houston, he was immersed in the Southern hip-hop scene, citing influences like Three 6 Mafia, Project Pat, UGK, and DJ Screw, which shaped his understanding of rhythm and flow. His Indian heritage, particularly from Kerala, also played a crucial role, exposing him to traditional Indian music that would later inform his work.

After completing high school in the US, he returned to India in 2012 to pursue a degree in business administration at PSG College in Coimbatore, Tamil Nadu. During this period, he worked as an intern at Goldman Sachs and later as an Operations Analyst, balancing a corporate career with his growing passion for music. His early freestyling in high school, inspired by American hip-hop, laid the groundwork for his future endeavors, with additional influences from artists like Kendrick Lamar, J. Cole, and A.R. Rahman, as noted in various profiles (10 Facts About Hanumankind).

Musical Beginnings and Career Growth

Hanumankind’s professional music career began in earnest in 2019 with the release of his debut EP, “Kalari,” on December 27, 2019, coinciding with a performance at NH7 Weekender, a prominent Indian music festival. This EP, featuring tracks like “Daily Dose,” showcased his raw talent and unique style, blending hip-hop with Indian musical elements. It marked his entry into the Indian hip-hop scene, establishing him as an up-and-coming independent artist.

His career saw steady growth through collaborations and singles. In 2020, he featured on “World Domination,” and in 2021, he released the collaborative project “Surface Level” with Kalmi, followed by “Genghis” in the same year, which highlighted his evolving artistic style. His song “The Last Dance” was featured on the official soundtrack for the Malayalam film “Aavesham,” released on April 11, 2024, further expanding his reach into the film industry (Aavesham (2024 film)).

The pivotal moment came with “Big Dawgs,” released on July 12, 2024, featuring Kalmi and directed by Bijoy Shetty. The music video, shot in Malappuram, Kerala, inside a “wall of death” attraction, went viral, garnering over 132 million streams on Spotify and 83 million views on YouTube by August 2024 (Hanumankind: the India-born, Houston-raised rapper riding high on southern pride). This track, with its high-energy beats and creative visuals, propelled him to international fame, earning co-signs from artists like Project Pat and attention from global entities like Arsenal FC, as noted in a Guardian article (One to watch: Hanumankind).

His discography, as seen on platforms like Apple Music and Deezer, includes singles like “Run It Up” (June 28, 2024), “Southside” (May 19, 2023), “Damnson” (April 21, 2023), and “Skyline” (March 11, 2022), reflecting a consistent output of music that has built his fan base over the years (Hanumankind on Apple Music).

Musical Style and Appeal

Hanumankind’s music is a fusion of Indo-American influences, characterized by a fiery flow and lyrics that often explore themes of cultural identity, personal struggles, and social commentary. His style is heavily influenced by Southern hip-hop, with a drawl reminiscent of Project Pat, and incorporates Indian elements like the nadaswaram, a south Indian wind instrument, as seen in tracks like “Go to Sleep” and “Ayyayyo” (One to watch: Hanumankind). This blend creates a genre-hopping sound that resonates with a global audience, as noted by fans and critics alike.

The appeal of his music lies in its authenticity and energy. In interviews, he has mentioned that tracks like “Big Dawgs” were written quickly, focusing on the vibe rather than intricate lyrics, which contributes to their infectious energy (We Need to Talk About Hanumankind — The Chakkar). His music videos, particularly “Big Dawgs,” with its death-defying stunts, add a visual spectacle that enhances listener engagement. Fans appreciate his unapologetic approach, as he doesn’t cater solely to an Indian audience, making his music universally relatable, as highlighted by a Delhi-based psychiatrist in a BBC article (Hanumankind: Indian Rapper on Viral Hit ‘Big Dawgs’ and What’s Next).

Possible Middle Eastern Influences

While not explicitly stated in his music, Hanumankind’s childhood in Middle Eastern countries like Egypt and the UAE likely contributed to his diverse sound. His global upbringing, including time in these regions, may have introduced him to Middle Eastern rhythms and melodies, subtly influencing his work. Although specific references are scarce, his ability to blend various cultural elements suggests a broad palette, potentially including Middle Eastern influences, adding depth to his Indo-American hip-hop fusion.

Detailed Discography and Milestones

To provide a clearer picture, here is a table summarizing key releases and milestones in Hanumankind’s career:

YearRelease/MilestoneDetails
2019Debut EP “Kalari”Released December 27, featured “Daily Dose,” marked entry into hip-hop scene
2020“World Domination” (feat.)Featured track, expanded collaborations
2021“Surface Level” with KalmiCollaborative project, showcased evolving style
2021“Genghis”Single, highlighted artistic growth
2023“The Last Dance”Featured on “Aavesham” film soundtrack, released April 11, 2024
2024“Big Dawgs” (feat. Kalmi)Released July 12, viral hit with over 132M Spotify streams, global fame

This table illustrates his progression from local performances to international recognition, with “Big Dawgs” being a turning point.

Conclusion

Hanumankind’s rise from a Kerala-born, Houston-raised rapper to a global music sensation is a story of cultural fusion and artistic dedication. His music, blending Southern hip-hop with Indian elements and possibly influenced by Middle Eastern exposure, appeals to audiences worldwide due to its authenticity, energy, and universal themes. As he continues to evolve, with plans for a debut album as mentioned in a 2024 Rolling Stone India interview (Hanumankind – Future of Music – Rolling Stone India), Hanumankind is poised to leave a lasting impact on the hip-hop genre, inspiring future artists with his journey.

Key Citations

Ilaiyaraaja’s Symphony ‘Valiant’ Rocks London: A Maestro’s Magic at Apollo!

Bro, What a Night!

Picture this: March 8, 2025, London’s Eventim Apollo theatre, all decked up, and our very own Isaignani Ilaiyaraaja dropping his first-ever western classical symphony, Valiant, with the Royal Philharmonic Concert Orchestra. Bro, idhu nijamave oru periya vishayam! (Man, this is truly a big deal!) The 81-year-old legend took the stage—or rather, his music did—and gave the world a 45-minute symphony that’s got everyone talking. Add some of his mass film songs, and the concert stretched to a solid 90 minutes of pure goosebumps. For us Tamizh folks, it’s like seeing our Raaja Sir conquer the world, vera level da!

Raaja Sir: The Man, The Myth, The Maestro

If you’re Indian, especially from the South, you don’t need an intro to Ilaiyaraaja. Born in Pannaipuram, Tamil Nadu, this gaon ka ladka started with a harmonium in a troupe and went on to rule Indian cinema with over 8,500 songs. From Annakili to Thalapathi, his BGM (background music) is what dreams are made of. Padma Bhushan, Padma Vibhushan, Rajya Sabha MP—name it, he’s got it. But Valiant? This is Raaja Sir going international, composing a full-on western classical symphony in just 35 days. Adhu enna speed-u, enna talent-u!

The Symphony: Technical Masala and More

Now, let’s get into the juicy part—Valiant, Symphony No. 1. This isn’t your usual kuthu paatu (dance number); it’s a four-movement masterpiece. The first two movements are pure western classical—think sonata form, with a proper exposition, development, and recapitulation. Strings, woodwinds, brass, all in sync, conducted by Mikel Toms with the Royal Philharmonic Concert Orchestra. Clean crescendos and diminuendos, building up that tension and release, semmaya irukku (superb stuff!).

Then comes the twist—movements three and four bring in our desi touch. You can hear shades of Carnatic ragas sneaking in, maybe a hint of Kalyani or Shankarabharanam, blending with the western counterpoint. The polyphony gets a Tamil soul, and suddenly, it’s like Raaja Sir is telling London, “Idhu namma style da!” (This is our style!) At 45 minutes, it’s tight, no dragging, with each movement flowing into the next like a perfect raga alapana.

The concert didn’t stop there. After Valiant, they played some of his evergreen hits—imagine Ilaya Nila or Rakkamma echoing in that grand Apollo hall. Fans ku oru periya treat-u!

Apollo Theatre Vibes

Eventim Apollo, oru stylish venue in London, has seen legends like The Beatles, but on March 8, it was all about Raaja Sir. With a capacity of 5,000, the place was buzzing—NRI crowd, music lovers, everyone soaking in the moment. The Royal Philharmonic Concert Orchestra, known for lighter classics, nailed it. Fans on X went wild—one guy, RASH, tweeted, “Blessed to see Ilaiyaraaja’s Valiant live. History in the making!” Another, pianist Anirudh Krishna, called it “surreal,” and trust me, namma pasanga (our boys) know how to hype it up!

Why This Matters, Bossu?

Ilaiyaraaja isn’t just a film composer; he’s namma pride. First Indian film music director to drop a western classical symphony in London? Adhu Raaja Sir thaan! He’s been mixing violins with veena for decades, but this is him telling the world, “I can play your game too, and win!” Composed in 35 days, recorded earlier with the Royal Scottish National Orchestra, and now live in London—it’s a hat-trick. Kamal Haasan even tweeted it’ll “blaze a trail across genres.” Nijamave, avan solluradhu correct-u!

Final Dhum

Valiant isn’t just a symphony; it’s Raaja Sir’s sangathamizh meeting Beethoven’s turf and shaking hands. For us fans, it’s like watching our thalaivar (leader) take over the globe, one note at a time. If you missed it, check the BTS video on YouTube—it’s Raaja Sir in his element. Inimel, London-um namma area dhan! (From now on, London’s our turf too!)

So, what do you think? Heard any clips yet? Let’s talk Raaja Sir’s magic!

Bollywood Beats: When Hip-Hop Took Center Stage in Bollywood

Bollywood, known for its vibrant and diverse music scene, has always been open to global influences. One of the most exciting musical fusions in recent decades has been the incorporation of hip-hop into Bollywood soundtracks. This blend has created a unique and energetic sound that resonates with younger audiences and adds a fresh flavor to the traditional Bollywood music landscape.

Hip-hop’s journey into Bollywood started in the late 1990s and early 2000s, initially in underground scenes and gradually making its way into mainstream Bollywood movies. Today, it’s not uncommon to hear rap verses, hip-hop beats, and distinctive hip-hop styles in Bollywood songs, adding a modern and edgy touch to the films.

Here are a few examples of Bollywood songs that showcase the exciting use of hip-hop:

  1. “Apna Time Aayega” from Gully Boy (2019)This anthem from the movie Gully Boy, which itself is inspired by the underground hip-hop scene in Mumbai, is a powerful example of hip-hop’s raw energy in Bollywood. Rapper Ranveer Singh delivers impactful verses with a strong message, set to a compelling hip-hop beat.Apna Time Aayega – Gully Boy
  2. “Saturday Saturday” from Humpty Sharma Ki Dulhania (2014)This high-energy party track perfectly blends Bollywood melodies with a catchy hip-hop rhythm and rap verses by Indeep Bakshi and Badshah. It’s a quintessential example of how hip-hop can inject a fun and contemporary vibe into Bollywood dance numbers.Saturday Saturday – Humpty Sharma Ki Dulhania
  3. “Chaar Baj Gaye Party Abhi Baaki Hai” from F.A.L.T.U (2011)This song is a classic example of early Bollywood hip-hop tracks that became incredibly popular. With its infectious beat and rap portions, it became a party anthem and showcased the growing acceptance of hip-hop elements in Bollywood music.Chaar Baj Gaye Party Abhi Baaki Hai – F.A.L.T.U
  4. “Move Your Body” from Johnny Gaddaar (2007)Often cited as one of the early Bollywood songs to prominently feature rap, “Move Your Body” by Hard Kaur was a breakthrough in integrating hip-hop into the mainstream. Its edgy sound and Hard Kaur’s rapping brought a distinct hip-hop flavor to Bollywood.Move Your Body – Johnny Gaddaar
  5. “Thanda Thanda Pani” by Baba Sehgal (1990)While technically not a Bollywood film song, “Thanda Thanda Pani” by Baba Sehgal is considered by many to be the first Hindi rap song that gained mainstream popularity in India. Baba Sehgal is known as the pioneer of rap in Indian pop music, and his early work paved the way for hip-hop’s eventual integration into Bollywood.Thanda Thanda Pani – Baba Sehgal

Shiva, Shakti, and the Silicon Soul: A Modern Take on Ancient Energies

Modern Take on Ancient Energies

In the cosmic dance of creation, Shiva and Shakti whirl in an eternal embrace, their energies shaping the universe. But what if we told you that this divine duo has a surprisingly modern parallel in the world of technology? Buckle up, dear readers, because we’re about to take a wild ride from the Himalayas to Silicon Valley—where ancient philosophy meets the digital age. Today, we’re exploring the theory that Shiva is potential energy and Shakti is kinetic energy, and whether this idea extends to the relationship between computers and software. Spoiler alert: it’s more connected than you might think.

Shiva: The Stillness of Potential Energy

Shiva, the great yogi, sits in deep meditation, embodying stillness and quiet power. He’s like a coiled spring, full of energy just waiting to be unleashed. In physics, potential energy is the stored energy an object holds due to its position or state—like a boulder perched on a cliff, ready to roll. Similarly, Shiva represents the universe’s unmanifested potential, the quiet force behind all that is yet to be.

In Hindu philosophy, Shiva is often described as the static, unchanging consciousness—the silent witness to the world’s unfolding. He’s the ultimate introvert, content to sit in blissful detachment, holding infinite possibilities within. But here’s the catch: without a nudge, that potential remains just that—potential. Enter Shakti.

Shakti: The Dance of Kinetic Energy

Shakti, the divine feminine, is the force that brings Shiva’s stillness to life. She’s movement, action, and transformation—the kinetic energy that turns potential into reality. In physics, kinetic energy is the energy of motion, like that boulder finally tumbling down the hill, unstoppable and full of force. In the same way, Shakti is the dynamic power that creates, sustains, and (when necessary) destroys.

Imagine Shiva without Shakti—he’d probably just sit there, deep in meditation. Shakti is the spark, the activator, the one who says, “Alright, enough meditating—let’s make something happen!” Together, their union is the perfect balance of stillness and motion, potential and action.

Is This Idea Correct?

So, does the idea of Shiva as potential energy and Shakti as kinetic energy hold water? Metaphorically speaking, yes—it’s a brilliant fit. Ancient Hindu texts don’t use the language of physics, but the philosophical essence aligns beautifully. Shiva’s stillness mirrors the latent power of potential energy, while Shakti’s vibrancy captures the essence of kinetic energy in action. It’s not a scientific definition straight out of the Vedas, but rather a poetic interpretation that bridges ancient wisdom with modern concepts. And honestly, it’s too cool an idea not to run with.

Computers and Software: A Technological Parallel?

Now, let’s teleport to the 21st century and test this analogy in the tech world. Picture your computer. The hardware—the motherboard, processor, RAM—is like Shiva. It’s the static platform, the potential waiting to be harnessed. Without software, it’s just a hunk of metal and silicon, much like Shiva in deep meditation, unmoved and unmanifested. It looks impressive, but it doesn’t do much—like a really expensive paperweight.

Software, on the other hand, is Shakti. It’s the code that breathes life into the hardware, making it perform tasks, run applications, and connect us to the digital world. Just as Shakti activates Shiva’s potential, software activates the computer’s capabilities. It’s the kinetic force that turns a dormant machine into a powerhouse of productivity (or, let’s be honest, endless cat videos).

Does this correspondence work? Absolutely. The computer hardware sits there, full of potential, but it’s the software that puts it into motion—creating, calculating, and sometimes crashing (because even Shakti has her chaotic days). In the tech world, we even have our own version of festivals celebrating this union—think software launches and tech expos, where the latest programs and apps are unveiled, bringing new life to our devices. It’s like a digital Maha Shivaratri, minus the incense and chanting (though, hey, maybe that’s next).

A Dash of Quantum Spice

For those who like their philosophy with a side of science, here’s a bonus: some modern thinkers link Shiva and Shakti to quantum physics. Shiva’s dance, the Tandava, is sometimes compared to the unpredictable, wave-like behavior of subatomic particles—pure potential until observed. Shakti, then, could be seen as the force that collapses that potential into reality. It’s a heady mix of mythology and quantum mechanics, but it adds a fascinating layer to the analogy. (Just don’t ask me to explain Schrödinger’s cat in Sanskrit.)

Conclusion: The Dance Continues

Next time you boot up your computer, think of it as a mini-cosmic dance. The hardware, your Shiva, holds the potential, while the software, your Shakti, brings it to life. The idea of Shiva as potential energy and Shakti as kinetic energy isn’t just correct in a metaphorical sense—it’s a lens that reveals harmony between ancient spirituality and modern technology. It’s a reminder that even in our digital age, the timeless wisdom of balance between stillness and action still holds true.

So, what do you think? Does this analogy resonate with you? Or do you have your own spin on how Shiva and Shakti play out in the tech world? Drop your thoughts in the comments below—let’s keep the dance going!

Disclaimer:

This blog post is written with deep respect for the sacred nature of Shiva and Shakti, revered figures in Hindu mythology symbolizing consciousness and energy. There is no intention to trivialize or diminish their profound spiritual significance. The modern language, contemporary references, and choice of words used here are solely intended to make the content relevant and relatable to today’s readers. By connecting timeless wisdom to the present day, we aim to engage and inspire curiosity about these ancient concepts in a way that resonates with modern times.

We hope readers will see this as a respectful effort to bring the essence of Shiva and Shakti into a current context, fostering understanding and appreciation without altering their divine importance.

The Ribhu Gita: The Ultimate Spiritual Shortcut (With a Dash of Humor)

If you’ve ever wondered what the essence of Advaita Vedanta is but don’t have the patience to wade through dense scriptures, then Ribhu Gita is your new best friend. Think of it as the “CliffsNotes” version of enlightenment—direct, no-nonsense, and straight to the point. Even Bhagavan Ramana Maharishi himself held it in the highest regard, specifically recommending Chapter 26 as the essence of Self-Realization.

Now, if Ramana Maharishi tells you something is the most important, you pay attention. So, let’s unpack Chapter 26 of the Ribhu Gita in simple, everyday terms—without getting lost in Sanskrit knots.

Wait… What’s the Ribhu Gita Again?

The Ribhu Gita is part of the larger Shiva Rahasya and is essentially a one-way conversation (the best kind of conversation, some might say) where Sage Ribhu teaches his disciple Nidagha the highest truth: You are already Brahman. You are already free. Now stop complicating things.

That’s it. That’s the whole message. But, of course, humans love overthinking, so Ribhu repeats it in about 2,000 verses just to make sure we get the point.

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Chapter 26: The Grand Reveal (Or the Cosmic “Aha!” Moment)

Ramana Maharishi loved Chapter 26 because it’s the ultimate distillation of Advaita Vedanta—it doesn’t bother with rituals, methods, or long philosophical debates. It just drops the truth bomb right in your lap:

✅ You are Brahman.

✅ There is no world, no ego, no suffering—only pure Awareness.

✅ Stop pretending to be anything else.

It’s like when you wake up from a dream where you were being chased by a giant talking banana. The moment you wake up, you instantly know it was all just a dream. You don’t sit around debating whether the banana was real. Similarly, the Ribhu Gita tells you that this waking world is just another illusion—and once you realize that, all your so-called “problems” vanish like morning mist.

Breaking It Down: Ribhu’s Wisdom for the Modern Mind

1. “I am Brahman” – The Ultimate Identity Crisis

Imagine you’re an actor playing a role in a movie. You get so caught up in the character that you forget you’re actually just an actor. Ribhu shakes you awake and says: “Hey, you’re not the role, you’re the pure Awareness behind it all!”

2. “Nothing Ever Happened” – The Cosmic Undo Button

If Brahman is all there is, then whatever we think of as “problems” never really happened in the first place. It’s like getting emotionally involved in a soap opera, only to remember—wait, this is just TV!

3. “Don’t Meditate. Just BE.”

The Ribhu Gita doesn’t ask you to sit in a cave for years chanting mantras (though if you want to, go ahead). Instead, it says, realize you are already That. You don’t become Brahman—you already are. No effort required. It’s like realizing you were wearing your glasses on your head the whole time.

Why This Chapter Matters (And Why You Should Care)

Ramana Maharishi didn’t just love Chapter 26—he recommended chanting it repeatedly until the truth seeps into your bones. Why? Because the human mind is stubborn. It keeps wanting to “do” something to get enlightened. Ribhu says, “Nope, you’re already there. Just realize it!”

So, next time you catch yourself overthinking life, relationships, money, or why WiFi signals are always terrible when you need them most—pause, breathe, and remind yourself:

“I am Brahman. Nothing has ever happened. It’s all good.”

And just like that, the grand cosmic joke is revealed.

Final Thought: If Ribhu Gita were a person, it would be that brutally honest friend who refuses to indulge your drama. Instead of comforting you, they just say, “Dude, wake up. None of this is real.”

And you know what? That’s exactly the kind of tough love we all need.

What do you think? Ready to wake up from the dream? Drop a comment below, unless of course, you’ve already dissolved into pure Awareness. 😆

Grammar Police and the Case of the Missing “S”

Ah, English grammar. That sacred rulebook that some of us—especially the old-timers—still clutch onto as if it were the last bastion of civilization. The spelling, the usage, the syntax… it all matters, doesn’t it?

Or does it?

This train of thought began chugging down the tracks when I received a forward of a popular yesteryear song. I remarked that it was a favorite of mine. But lo and behold, the vigilant friend (let’s call her The Guardian of Grammar) swiftly corrected me:

“It should be ‘one of my favorites,’ not ‘one of my favorite.’”

To me, it felt like the difference between potayto and potahto—a muchness of a muchness, if you will. But it got me wondering…

And to this dear friend of mine, in case you come across this blog and you read it, it’s all said in good humor!

Is Success in Life Based on the Grammar of Your Prose?

Will a misplaced comma derail your career?

Will an extra “S” stop you from achieving greatness?

Would Shakespeare have been laughed out of town for writing “to be or not to be, that is the question?” instead of “To be or not to be; that is the question.”

And yet, there’s a certain breed of people who cannot resist correcting grammar. We all know them. They lurk in emails, they prowl on WhatsApp, and they pounce on Facebook posts with the precision of a cat spotting a laser dot.

You say, “I could care less.”

They say, “You mean you couldn’t care less.”

You type, “Your welcome.”

They reply, “It’s you’re welcome.”

You casually say, “Me and my friend went to the market.”

They swoop in with, “My friend and I.”

A Tribute to Everyday Grammar Battles

To be fair, sometimes these corrections are lifesaving. Consider the classic case of “Let’s eat, Grandma!” versus “Let’s eat Grandma!” One is an invitation to dinner, the other is a crime scene.

And then there’s the dreaded apostrophe abuse. It turns up uninvited in places where it has no business being:

• “Fresh Mango’s for Sale” (Mango’s what, exactly?)

• “Happy Anniversary to the Smith’s” (The Smith’s what?)

• “Your going to love this!” (No, you’re not.)

But at the same time, does a minor slip in grammar mean we are less of a person? Should we be judged by our ability to tell effect from affect in casual conversation?

The Great Grammar Divide

There are two kinds of people in this world:

1. Those who can read “I ain’t got no time for that” and move on.

2. Those who feel a physical twitch and MUST correct it.

The second group, my friends, are the ones who send passive-aggressive texts like, “I think you meant ‘their,’ not ‘there.’” And while I admire their dedication, I often wonder—do they have an internal red alarm that goes off every time they see “loose” instead of “lose”?

A Final Thought (or Thought’s?

At the end of the day, success in life isn’t necessarily measured by flawless grammar. If that were the case, Shakespeare, Mark Twain, and even Steve Jobs—who famously once said, “Think Different” instead of “Think Differently”—would have all been failures.

So, to my dear Grammar Guardian, I thank you for keeping our language from descending into chaos. But if I say, “one of my favorite” instead of “one of my favorites,” let’s just call it poetic license and move on, shall we?

After all, language is meant to connect us, not divide us.

(Unless, of course, you insist on using “irregardless.” Then, my friend, we may have a problem.)

What do you think? Should we let minor grammar slips slide, or should we continue fighting the good fight? Let me know in the comments (or should I say, “comment’s”?

Neville Goddard vs. Ramana Maharshi: The Truth About Reality

One of the most fascinating questions in spirituality is whether we create our own reality or whether everything is already predetermined. On one hand, Neville Goddard’s Law of Manifestation tells us that we can manifest anything we desire by assuming the feeling of already having it. On the other, Ramana Maharshi teaches that everything is dictated by destiny and that trying to change our fate is futile.

At first glance, these two views seem contradictory. If everything is already written, then what is the point of manifesting? But if manifestation truly works, does that mean fate is not real? Let’s explore both perspectives and see if they can actually be reconciled.

Neville Goddard: You Are the Creator of Your Reality

Neville Goddard’s teachings emphasize that imagination is the divine creative force. He believed that by living as if our desires are already fulfilled, we bring them into reality. According to this view, our external world is simply a reflection of our internal state. The universe responds to our feelings and beliefs, making manifestation a conscious and deliberate process.

For example, if you believe and feel that you are already successful, the world will eventually mirror that belief. The key is to fully embody the state of having what you desire, without doubt or resistance.

Ramana Maharshi: Surrender to the Divine and Accept Destiny

Ramana Maharshi, one of India’s greatest sages, had a completely different approach. He often spoke about prarabdha karma (the karma that unfolds in one’s lifetime) and how everything is predetermined by the divine will. From this perspective, trying to change our external reality through personal effort is meaningless because what is meant to happen will happen, no matter what.

Ramana advocated the path of self-inquiry (Who am I?), urging seekers to transcend their sense of individuality and surrender to the higher Self. Instead of chasing desires, he encouraged us to dissolve the ego and recognize that the true Self is beyond manifestation and destiny alike.

How Can These Two Views Coexist?

At first, it seems impossible to reconcile these two perspectives, but a deeper look reveals a potential harmony:

  1. Manifestation and Destiny Can Be Two Sides of the Same Coin
  • What we desire and try to manifest may itself be part of our predetermined path. If something is meant for us, we may naturally feel drawn to it and manifest it with ease.
  • If something is truly not in our destiny, we may struggle no matter how much we try to manifest it.
  1. Inner vs. Outer Reality
  • Neville’s teachings help us navigate and shape our external world through belief and feeling.
  • Ramana’s wisdom teaches us to go beyond the external world and recognize the deeper reality where nothing needs to be manifested because we already are complete.
  1. The Role of Self-Realization
  • Neville’s approach is useful when operating as an individual in the world, helping us improve our life circumstances.
  • Ramana’s path leads to the dissolution of the ego itself, where the concepts of manifestation and destiny dissolve into the eternal truth.

So, Which One is True?

The answer depends on how we see ourselves:

  • If we see ourselves as individuals navigating life, manifestation seems real and powerful.
  • If we seek ultimate truth, Ramana’s teaching shows that everything, including manifestation, is just part of the greater play of consciousness.

Perhaps the best approach is to blend both perspectives:
✨ Use Neville’s teachings to create a fulfilling life in the material world.
🕉 Follow Ramana’s wisdom to transcend attachment and accept life as it unfolds.

Both paths lead to greater awareness—one through creation, the other through surrender. The choice, perhaps, is also part of destiny!

What do you think? Have you experienced moments where manifestation worked? Or do you feel that life unfolds as per destiny no matter what?

Put on Your Oxygen Mask First – Life’s Ultimate Rule

We’ve all been there. Settling into our airplane seat, adjusting the seatbelt with an air of false confidence, nodding sagely at the safety demonstration we have absolutely no intention of following unless the plane turns into a submarine. And then comes the golden piece of wisdom, disguised as a simple instruction:

“In case of a loss of cabin pressure, oxygen masks will drop from the overhead panel. Please secure your own mask before assisting others.”

Sounds reasonable, right? But think about it—this is not just an in-flight safety precaution; this is a life philosophy masquerading as aviation protocol.

Selfish or Sensible?

At first glance, it may seem selfish. Why should I put on my mask first? Shouldn’t I be the noble soul, helping my fellow passengers, rescuing kittens, and ensuring world peace?

Absolutely not. Because if you pass out from lack of oxygen while trying to help others, you’re no help to anyone. In fact, you’ve just become another unconscious person who now needs to be helped. Great job.

This is exactly how life works. You can’t pour from an empty cup. You can’t donate from an empty bank account. And you definitely can’t inspire others if you’re gasping for breath—literally or figuratively.

Life Applications of the Oxygen Mask Rule

1. Financial Oxygen – The Money Talk

We’ve all heard it: Money isn’t everything! True. But try telling that to your landlord when rent is due. Try explaining to the grocery store cashier that your “positive energy” should cover the bill.

It is far better to be rich and miserable than poor and miserable. At least with wealth, you can be miserable in comfort, with a therapist, a spa day, and an overpriced cup of artisanal coffee. Being financially secure means you can help others without sinking yourself.

I once knew a man who donated generously to charity—even when his own finances were a mess. He prided himself on being selfless, until one day, he couldn’t pay his own rent. Who came to his rescue? The very people he had been donating to. See the irony? If he had secured his own financial oxygen mask first, he could have continued helping others without needing help himself.

2. Emotional Oxygen – The Art of Saying No

You know that friend who always says “yes” to everything? The one who volunteers, helps everyone move, covers extra shifts at work, and babysits other people’s unruly kids? Ever notice how that same person often looks exhausted, frustrated, and one “Can you do me a favor?” away from a nervous breakdown?

Helping others is noble, but not at the cost of your own mental health. If you’re drowning, you can’t be a lifeguard.Learn to say no. Prioritize your well-being. Even Buddha didn’t try to enlighten people while he was still figuring himself out—he sat under a tree, meditated, and then started sharing wisdom.

3. Health Oxygen – The Body Keeps the Score

We all know someone who works 18-hour days, survives on caffeine, and insists, “I’ll rest when I’m dead.” Spoiler: That’s a fast-track way to meet that deadline sooner than expected.

You need to take care of your health before you can take care of others. A sick person can’t be an effective caregiver. A sleep-deprived employee can’t be productive. If your body is screaming for rest and you ignore it, you’re setting yourself up for a spectacular crash—just like ignoring a flashing fuel light in your car.

I once met an overworked CEO who prided himself on being “too busy for vacations.” He ended up collapsing in his office due to exhaustion. The company? It survived without him. His health? Took years to recover. Secure your ownoxygen mask before trying to run a marathon for others.

Final Descent: Prioritize Yourself, Then Help Others

The next time you hear the airplane oxygen mask announcement, don’t roll your eyes—internalize it. It’s not about being selfish; it’s about being strategically self-sufficient. If you’re thriving, you can uplift others. If you’re barely surviving, you’re just another person needing help.

Take care of your finances. Protect your mental health. Prioritize your well-being. Because once your oxygen mask is securely in place, you can truly make a difference in the lives of others.

Now, sit back, relax, and enjoy the flight.

Would love to hear your thoughts—especially if you’ve ever had to put your own “oxygen mask” on first in real life!

Remembering P. Jayachandran: The Voice of a Generation

The year was 1979. I was a greenhorn, about a year into my job, in the then Indian Airlines, later known as Air India, and was posted at the Kochi Airport—not the swanky one we see today but the one at the Naval Base, a relic from a time when aviation was more about function than finesse. Back then, Kochi was still called Cochin, and the airport was primarily meant for Coast Guard operations. The runway stretched just about 7500 feet, and the aircraft in use were the sturdy, unglamorous HS 748s, which later made way for the Boeing 737s.

Now, why am I rambling about all this when the topic at hand is a man whose voice melted hearts and whose name was synonymous with melody? Well, dear reader, I am just setting the stage—because if you must know, one of the frequent fliers on the Cochin-Madras (now Chennai) route, Flight IC538, was none other than P. Jayachandran.

Meeting a Legend Over Puttu and Tea

There he was—an aristocratic, slightly rotund man, probably about 5’5”, who often traveled between Cochin and Madras. At that time, I had no clue about the Malayalam or Tamil music scene. My knowledge of music was limited to what played on Chennai’s radios, and the only “melody” I truly appreciated was the sound of the aircraft engine starting on time. But fate, as it often does, had other plans.

It wasn’t at the airport that I truly got to know him, but over several cups of tea and platefuls of puttu at a ramshackle shed just outside what we then called the “terminal.” Either he took a liking to me, or the food was simply too good to pass up, but we ended up sharing many grand breakfasts together. Little did I know then that I was unknowingly rubbing shoulders with greatness.

The Rhythm Behind the Melody

Before he became the celebrated singer we know, Jayachandran was, in fact, a percussionist. He played the tabla (or was it the mridangam I can’t say for sure, but he definitely had rhythm in his veins). This early training in rhythm and beats gave his singing an unmatched sense of timing and fluidity. His deep understanding of taala (rhythm) allowed him to interpret melodies with incredible grace, which later became a defining characteristic of his style.

A Friendly Rivalry with Yesudas

An interesting piece of trivia: during his youth, Jayachandran competed in a music competition at a youth festival. His rival? None other than K.J. Yesudas. Yes, the two titans of playback singing in Malayalam cinema first crossed paths not in a recording studio but on a competition stage. Though Yesudas won that particular contest, it did nothing to deter Jayachandran’s journey. If anything, it was a foreshadowing of the many decades in which both voices would dominate the music industry, often sharing the same playback singing space, yet each retaining a distinct signature.

Jayachandran’s big break came in 1965 when he sang Anuragaganam pole in the Malayalam film Kavyamela, a song that shot him to instant fame. He went on to lend his soulful voice to hundreds of Tamil, Malayalam, and Kannada songs.

The Unassuming Star

Despite being a giant in the industry, Jayachandran remained simple and down-to-earth. My own experience with him reflected this. Years later, after I had left my job and moved to Madras, the music bug finally bit me. I got drawn into Carnatic classical music and found myself needing a guru. Who better to guide me than Jayan ettan (as I respectfully called him)? It was he who recommended me to Trichur Ramachandran, a connection that shaped my musical journey.

A Farewell to a Voice That Never Fades

P. Jayachandran may have left the stage, but his songs continue to live in the hearts of millions. His voice was not just a sound but an emotion—one that carried the essence of love, longing, and devotion. And while I may have met him first as just another passenger on a flight, I now look back and marvel at how life has a way of weaving its own melodies.

Jayan ettan, you will be missed, but your music will forever remain.

Understanding Chris Langan’s CTMU: A Cosmic Perspective

Decoding the CTMU: Chris Langan’s Universe-Sized Brainchild

At nallamadras.com, we often explore fascinating intersections of science, spirituality, and philosophy. From the mysteries of meditation to the connection between music and higher consciousness, we love diving into big ideas that challenge us to think differently. Today, we venture into one of the most ambitious theories out there—the Cognitive-Theoretic Model of the Universe (CTMU) by Chris Langan, often dubbed “the smartest man in America.”

If you’ve enjoyed our previous posts, like “The Interplay of Music and the Cosmos” or “Exploring the Philosophy of Oneness”, then buckle up—because the CTMU takes the idea of interconnectedness to a whole new level.

What Is the CTMU? (Breaking It Down)

The CTMU—short for Cognitive-Theoretic Model of the Universe—is Chris Langan’s attempt to explain everything. Yes, everything. It’s a bold framework that combines science, philosophy, and metaphysics into one cohesive theory. In Langan’s words, the CTMU offers a way to “connect mind, matter, and the laws of the universe.” Sounds epic, right? It is. But let’s break it down into digestible pieces.

The Big Ideas of the CTMU

1. Reality as a Self-Simulation

Imagine the universe as the ultimate game of Minecraft, but instead of being created by a programmer, it programs itself. The CTMU suggests that reality isn’t just a physical system—it’s a self-simulating, self-defining process. It’s like the universe is its own coder, constantly evolving and updating itself.

2. The Unity of Mind and Matter

You’ve probably heard debates about whether the mind is separate from the physical world. The CTMU says, “Why not both?” Langan argues that mind and matter are two aspects of the same system. Think of it like a smartphone: the hardware (matter) and the software (mind) work together seamlessly to make the system function.

3. Reality Speaks Its Own Language

Here’s where things get poetic. Langan describes reality as a kind of language. But instead of using words or grammar, it uses logic and structure to “speak itself” into existence. That means every atom, every galaxy, and yes, even you, are part of an ongoing cosmic conversation.

4. The Universe Is Its Own Creator

Who or what created the universe? The CTMU’s answer: the universe created itself. Think of it as a cosmic Russian nesting doll—except this one is infinite, constantly redefining and containing itself.

Why Should You Care About the CTMU?

You might be thinking, “This is fascinating, but how does it apply to me?” Great question. The CTMU isn’t just an intellectual exercise; it offers profound implications for how we see ourselves and our place in the universe.

• You’re Not Just in the Universe—You Are the Universe

According to the CTMU, you’re part of the system that defines reality. Everything you think, feel, and do contributes to the greater whole.

• Your Thoughts Have Power

If reality is a self-simulating system where mind and matter are intertwined, then your thoughts might play a bigger role than you realize. In essence, the universe might not just be observing you—you’re shaping it, too.

Connecting CTMU to Spirituality

At nallamadras.com, we often explore themes of spirituality and interconnectedness, from meditation techniques to the power of bhajans and kirtans. The CTMU adds a fascinating layer to these discussions.

For example, the idea that the universe is self-aware aligns with spiritual traditions that emphasize oneness and the unity of all existence. Whether you’re drawn to the chants of Krishna Das or the meditative rhythms of shamanic drumming, the CTMU suggests that these practices tap into something fundamental about the universe itself.

Criticism and Why It Doesn’t Diminish Its Value

Of course, the CTMU isn’t without its critics. Some argue it’s too abstract or philosophical to be considered a proper scientific theory. Others say it’s nearly impossible to test or prove.

But let’s be real: when you’re trying to explain everything, a little pushback is inevitable. What makes the CTMU fascinating isn’t whether it’s flawless—it’s the fact that it challenges us to think bigger.

Making It Fun: CTMU and Everyday Life

Let’s lighten things up. If the CTMU is true, it means:

• You’re Part of a Giant Simulation: Next time you’re stuck in traffic, just remember—you’re contributing to the cosmic code.

• The Universe Is Watching: Not in a creepy way, but in a “we’re all connected” kind of way. Maybe that’s why your coffee tastes better when you’re in a good mood.

• Black Holes Are Drama Queens: According to the CTMU, even the universe loves a bit of mystery.

Why the CTMU Matters

Whether you’re a science enthusiast, a spiritual seeker, or just someone who loves asking big questions, the CTMU has something to offer. It’s a reminder that we’re all part of something far bigger than ourselves—a vast, interconnected system that’s constantly evolving.

Chris Langan’s work invites us to see the universe not just as a collection of atoms and forces but as a living, breathing system of which we’re an integral part. And that, in itself, is a pretty profound takeaway.

Curious about how this ties into other concepts we’ve explored? Check out more on spirituality and daily living or the philosophy of interconnectedness.

Let me know what you think—does this cosmic theory expand your perspective, or leave you scratching your head? Either way, the conversation is worth having!

Let me know if you’d like further edits, more links, or tweaks to the tone!